12 small pieces (in the original for two Bassetthorns) of cheerful contemplative character, which are surely an enrichment for the cello-bass literature For the better execution on the double-bass the pieces have been transposed from F Major to G major. Because the double-bass sounds an octave deeper than notated the original ratio of the two voices to each other was kept by putting up the double bass voice one octave. Often the double-bass has to be played in thumb position but the voice isn't extremely serious at this anyway and completes himself wonderfully with the cello voice.
notated range: d - d"
- recorded on the CD "cello + bass duette"